More than 15 years since 15 Park Avenue came out, I doubt any other Indian film tailored sensitivity and accuracy with a poignant storyline on mental illness as beautifully as Aparna Sen managed to portray in 15 Park Avenue.
While films like Padman and Toilet: Ek Prem Katha have ended up looking like glorified public service cinema with a male saviour complex, Shyam Benegal’s Hari-Bhari is a fine example of building a compelling story about women’s autonomy.
Quarantine has knocked off the pedestal from under our beloved stars and right now, they feel past their expiry date. I don’t want to watch Katrina do jhaadu-pocha or a Kareena Kapoor tutorial on how to wipe an already clean table. I’d much rather watch ordinary folks going about developing a new skill.
Masoom is an ode to motherhood that does not rely on lazy tropes and bland generalisation. It is a story that elevates the idea of motherhood beyond biological compulsions. It reminds us that the greatest gift we can give our mothers is to allow them their humanity.