Ajji is this year’s fifth rape-revenge drama, joining the ranks of the manufactured vigilantism of Kaabil, Maatr, MOM, and Bhoomi. But, unlike its predecessors, Ajji refuses to become a vehicle that only champions a problematic solution of self-styled vigilantism.
Bhabhiji Ghar Par Hai!, India’s current tele favourite, sings to a popular fad that has, for long, tantalised a large section of the Indian male audience – desi pop culture's favourite figure, the bhabhi. Our fixation with the bhabhi in entertainment, is only an extension of our secret fantasies.
Sharmaji Namkeen is a sweet, warm film that uses the charms of the late Rishi Kapoor to great effect. So much so, it’s probably the kind of film that acts as both a tribute, and a reminder of his affability.