Anek isn’t perfect or even gainful in storytelling for most parts, but in mainstreaming a conversation about the North-East we seldom have, it serves the purpose of a trigger, our industry needs to explore and experiment.
Jayeshbhai Jordaar is everything you’d expect from a Ranveer Singh performance. But while the charms work, the film can often become too loud for its own good. That doesn’t, of course, make it not worth your time.
In Dhaakad, Kangana Ranaut acts as a living, breathing, killing machine in a film that is too influenced by its western predecessors to have something of its own to say about a genre that we can only hope gets bigger and better.
Ranbir Kapoor has come to be the validation for millennial angst in all its glory. But it’s now time to make a big-boy decision: To man-child or not to man-child.
I knew I was in for a unique experience when I chose to watch The Kashmir Files, but it was the absurdly regular and occasionally awkward events outside the film that made it, in certain ways, a special experience.
Rajamouli’s latest feature film is just as visually invigorating as his previous films that though it could have used a tighter script, is everything you’d want to go back to the cinemas for.
In Pyaar Ka Punchnama, Sonu Ki Titu Ki Sweety and now De De Pyaar De, Luv Ranjan creates male universes where women are always the enemy. For Ranjan, the joke isn’t just on the woman; it is the woman. Clearly, he understands us as much as Vijay Mallya understands the concept of debt.
Shahid Kapoor’s Jersey doesn’t quite better the original, but for first-time viewers it is a compelling father-son story that successfully masquerades as a tale of sporting redemption.