Imtiaz Ali’s Sejal sets off on a journey to achieve a socially acceptable level of fuckability and ultimately becomes an extremely worrying case of self-objectification.
So inextricable is Kareena Kapoor Khan from Poo and Geet, that even after two decades of Kabhi Khushi Kabhie Gham and a decade since Jab We Met, we are still searching for that precise point where she stopped being herself and started being the two women with an exaggerated zest for life and their own existence.