As Sarkar 3 readies for release, it’s time to investigate what is up with RGV. Is he a modern-day shit-talking, raving seer? Or has he turned into a character from one of his films?
In this week’s forgettable Chopsticks, Abhay Deol plays a conman who has a refined taste. His filmography is now littered with peculiar outings that primarily serve the cachet of being Abhay Deol. And his early films – Dev.D and Oye Lucky! Lucky Oye! – resemble the slate of an actor who peaked even before his career took off.
Back in 1999, when Ram Gopal Varma shot Kaun, a home-invasion horror with a single set, three characters, loose threads and under 15 days, it seemed like he was courting disaster, or worse, boredom. But 20 years later, the film’s experiments with crafting an atmospheric horror is nothing short of revolutionary.
It's been 10 years since Anurag Kashyap's Dev D came out, and what continues to live on, is its gorgeous soundtrack. The film demonstrated, through the music alone, that it is as much Paro and Chanda’s story as it is Dev’s.
Like Get Out and Pari, the Radhika Apte-starrer Ghoul underlines horror with context and uses it as a device to drive home a point about prejudice and gross injustice. In all three, humans are the hunters – not the hunted.
Sacred Games single-handedly ended the drought of smartly written and performed shows of Indian origin, on the internet. It was that unicorn that treated the small screen with the same level of ambition and respect usually reserved for the silver one.
Vicky Kaushal has mastered the art of blending in. He’s one of the few actors who is aware that his presence and talent is a contribution to any film, not its headline gift.
The award-winning filmmaker, Neeraj Ghaywan, quit a cushy corporate life and charted his own course at 30. The result is sensitive films like Masaan, that drew accolades at home and abroad, and the second season of Sacred Games.
Kabir Khan’s Amazon show The Forgotten Army is a welcome departure from hyper-jingoistic historical epics that have become par for the course today. But Khan never quite gets a grip on the complexities of the Indian National Army, which often clashed with its own countrymen who were part of the British army.