Anurag Kashyap’s Manmarziyaan is both a manifesto of modern love and a statement against Bollywood's unrealistic portrayal of love triangles. Aided by smart writing and affecting performances, the film subverts the nice guy trope and squashes the idea of the one true love.
In Amol Gupte’s Sniff, Sunny, who cannot smell, thinks of himself as inadequate and different. And this great weakness brings him down. It’s like what many of us felt while growing up.
There are numerous advantages to a menstrual cup: cost benefit, safety, larger capacity for blood, and reduced carbon footprint. Yet, I find it hard to accept this imposition at the cost of my comfort. In a world that demands propriety, is it okay to not do the right thing once in a while?
If it isn’t the media’s job to introduce nuance to debate, to question prevailing narratives, to side with the people – all people, and not just the privileged – whose job is it?
After a brutal second wave that had dented a country’s confidence to perform the bare minimum, an unheralded, humble young man stepped into the shoes of a saviour we didn’t know we needed. Thank you Neeraj Chopra for reinstating our self-belief.
The catchphrase, “It’s coming home,” recently became annoying as fuck, after it turned into a meme that Indians are repeating unironically. This is the World Cup we’re talking about guys, not the Kohinoor.
The anti-CAA/NRC protests that have gripped the country in the last two months, is testament to the fact that fashion and revolution have gone hand in hand. Several images have stood out during the protests – from Chandrashekhar Azad’s blue scarf to the women who’ve worn the hijab as a political statement.
Neill Blomkamp’s Elysium eerily resembles Mumbai’s skyline. Dystopian narratives only appear far-fetched. Strip away the costumes and elaborate sets, and we’re in trouble.
A few years ago, Shibu, the mahout of Kerala’s tallest elephant, committed suicide. The media spun a tale of a heartbreaking love story – but love had no role to play in this tragedy.