Pessimism pervades the end of 2016. But as our resilience during large-scale transformation in the past indicates, the future won't be awful. All we need is some cautious optimism.
2020 may have begun on a glum note, but it’s never too late to change. And the monsoon may be a good time. There’s nothing that a long drive in the rain can’t fix.
Hardik Mehta’s Kamyaab is filmmaking at its very best: an affecting acknowledgement of the innumerable artists in Bollywood, whose talent is constrained by an industry that treats them as disposable goods despite their indispensability. It’s also a boisterous love-letter to Sanjay Mishra, an actor who has never demanded the spotlight even when he deserved it.
Netflix’s Guilty, which traces the investigation of a rape accusation made on Twitter, had the opportunity to stand out as a film that explores the changing nature of consent in a post #MeToo world. It squanders that chance and instead tells us a story told far too many times – that rape survivors are often disbelieved.
Law professor Anup Surendranath started the Death Penalty Project to understand how prisoners are sentenced to death. His interviews with death row convicts might have changed him forever.
Internet forums are rife with references to the hallucinogenic muscle relaxant in nutmeg. Since it involved a psychedelic experience, I plunged right in.
As I near my 40th birthday, I have realised that I am neither the sort to go crazy with champagne, nor be forlorn and regretful. So I’m celebrating “The Year of Magical Doing”, where I prioritise writing letters, reading short stories, collecting recipes – basically, doing everything I loved as a kid.
In a culture that still relies on the problematic viewing of children as their parents' property, 102 Not Out encourages pressurising the younger generation into fulfilling dual obligations of being both a caregiver and caretaker at the peak of their youth.
Consider Earth to be a sinking ship, the immersion of which is accelerated by more and more people jumping on board. What do we seek by reproducing? Why don’t we address the elephant in the room: Procreation?
Snapchat exemplifies everything that’s different between millennials and Gen Y. It’s created for a generation that has abandoned the term “brb” because its never offline.